This week I went to see Rickie Lee Jones at the Barbican in London. It wasn’t a concert in the usual sense. It felt more like being invited into somebody’s world for a couple of hours, a world built from jazz clubs, late-night conversations, drifting highways, poetry, memory and beautifully fractured songs.
Jones has always occupied her own corner of American music. Too jazzy for straightforward rock, too literary for pop, too restless to stay in one place stylistically. From the extraordinary run of albums that began with Rickie Lee Jones and Pirates, through to the experimental material later in her career, she’s remained an artist who follows instinct rather than expectation. In this episode we’re discussing the Barbican performance and why Jones still feels like such a singular presence decades into her career.
In this episode I am in discussion with Dr. Andrew Webber.
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