Tell Us How You Really Feel

Welcome to Episode #133 where we take a trip into my expanding Bandcamp Music Feed which features music from the artists I follow. We open with a clear intention from Dammbutta’s ‘This Kind of Life’: music can fortify the mind, soothe the body, and steady the soul. From there, the curation pulls you through a living gallery of sound: the battle-tested resolve of Apollo Brown and Ty Farris’s ‘Run Towards The Monster’, the tender tension of Sadiva’s introspection from ‘As Prescribed’ and a kinetic rinse of drum and bass that clears the static and resets your pulse by Dewpoints’s Dreambound.

Next we take a trip to the Netherlands by Tesk ‘’The Sauce’. Then we ‘Check In’ with MRK SX’s All Is Well. We tap in with CRISTENISREAL with his ‘Refresher’ album. We head to Los Angeles with DOM CRUZ & k. Jvnglx from ‘Divine Intervention’. We listen to L. Dre to listen to Beatober wips continuing the thrill of unearthing gems in the Bandcamp wilds. We stretch into experimental and ambient spaces with Jesse Rack$on ‘v-a-r-i-a-t-i-o-n-s beattape and Kare.pkg’s ‘A Whole Lotta Nothin’ letting texture speak and silence shape the groove. A heartfelt moment honors D’Angelo’s influence with a thoughtful remix by Nothing_Neue from ‘The Vault (Bootleg Pack)’ before we pivot to flips and instrumentals that celebrate craft: Smewhere’s ‘Time Come’ salute to Brownsville’s Ka, The Other Guys’ ‘No Validation (Instrumentals) and DFNS’s ‘404 Day Pack’.

The set keeps widening. A playful Libra-themed interlude by SKYSCRAPER titled ‘the LIBRANS’ slips into Vicky Cassis’s sharp ‘DNA flip’ from Casis Flips, proof that imagination cuts through any noise. Sunkr’s Let Me Live centers agency and ease, and the International Artist Project ties it all together with global voices building love and legacy across borders with Awzy E’s ‘Other Half’. Gold Haze stops by with ‘Purpose Over Pain’ from When I Had Nothing, I Had Everything. Throughout, I return to a simple mantra: purpose over perfection. You’ll hear it in the bars, the breaks, and the breath between tracks

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