We explore how Penderecki found a world stage as a commissioned composer for the 1972 Olympic Games in Munich. We hear about the struggles Penderecki encountered in finding the right musical language for the commission, chart the internationalism of his work, and explore his wider use of electronics in his music.
Many thanks to the Penderecki estate for granting us permission to use extended parts of his music. Some of the pieces heard in this episode can be listened to in full elsewhere on the Internet:
Podden och tillhörande omslagsbild på den här sidan tillhör
Culture.pl. Innehållet i podden är skapat av Culture.pl och inte av,
eller tillsammans med, Poddtoppen.
