Lost London’s provocative move is to insist that ordinary buildings — a pub in Poplar, a roadhouse on a bypass, a block of council flats in Hackney — deserve the same analytical attention as a Wren church or a Robert Adam terrace. As one perhaps should expect from an urban geographer, this pushes back against the exquisite art-historical approach, which treats buildings as art objects and thereby frames architectural history around consecrated geniuses and great buildings. It is a seductive approach, for sure, but perhaps troubling in a different way. If everything means something to someone, how can we knock anything down at all?
Paul is not much online, the lucky fella. You can find him on Grokipedia though. The book is linked above.
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Music credits: Bruno Gillick
Image credit: London Metropolitan Archives – Colombia Road Market.
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