Surrealism, pretentious, or something else is the question posed as Revolver's first side bows out with She Said, She Said.

Does the song round the first side off in a satisfactory way? Does it suffer from (probably) not having McCartney on it? And what has Peggy Suicide got to do with any of this?

Rankings: Track-by-track Ranking

eMail: beatlesstuffology@gmail.com

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JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

 

Produced by: JG McQuarrie and not AI, ever

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