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Power and Captivity in Thea Musgrave’s Mary, Queen of Scots - Zachary Simonds

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In this week's episode, Zachary Simonds uses tools developed by Robert Hatten to analyze Mary, Queen of Scots by Thea Musgrave, focusing on the melodically ascending octave and its use as a complex narrative device throughout the opera.

This episode was produced by Jose Garza along with Team Lead Matthew Ferrandino. Special thanks to peer reviewers Colleen Renihan and Evan Ware.

SMT-Pod’s theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

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