In this second part of my conversation with the internationally acclaimed flutist, researcher, and author Rachel Brown, we continue our journey into the world of 18th-century flute culture.
We speak about the flute makers who shaped the sound of our time, the virtuoso players of the 18th century and their repertoire, and the surprising way dissonance can be described in terms of taste experiences. Our conversation also touches on the role of historical clothing and why women were often excluded from playing wind instruments, and Rachel shares her own creative voice as a composer, including her projects inspired by Telemann’s Twelve Fantasias for solo flute.
This episode of (In)Sight-Reading Enlightenment is kindly supported by the Christoph Merian Stiftung.
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