Everyone and their mother (in my social circle, literally) is reading Dungeon Crawler Carl. But like, why? It seems like yesterday when litrpg as a genre was an obscure chimera isolated to certain Internet subcultures. A trancelike world untouched by the Freytag Pyramid bepopulate with a self-insert main character and a list of monsters from DnD. How did Dungeon Crawler Carl—which to an outsider’s eye is part and parcel with the works that preceded it—achieve this outplaced virality? Entrance into the closely-guarded annals of modern literary canon? Does Dungeon Crawler Carl, like a certain species of lobe-finned fish which hundreds of millions of years ago stepped warily onto land, represent the adolescent stage of a slow but determined evolution of its kind? Or have the gatekeepers of literary canon, those silent unknowable communicants whose whims determine the intellectual vector of our species, grown soft? Weary? Desperate to welcome in a novitiate born not of greed, but creative frenzy?Idrk. But we had fun talking about it hope u enjoy!!!Help us afford lootboxes for our talking cats: https://www.youtube.com/@sbu_englishclub/membershipObtain the “supported Internet weirdos” achievement: https://ko-fi.com/stbalasar
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