Michelle is back and we're starting to move into the prime period of Douglas Sirk's filmmaking. Sirk was famous for his melodramas that played with identity, a place in a fixed society, and the balance of responsibilities and dreams.
His films <i>Taza, Son of Cochise</i>, <i>Magnificent Obsession</i> and <i>All I Desire</i> each explore those ideas in dfferent ways. Not all are completely successful, but all are worth a deeper dive and closer exploration.
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