Freddie's contemplative account of the Prince of Peace may not be so surprising when you consider his early enthusiasm for fantasy, mythology, and the fight between good and evil. Though he'd later disown this, every version (Queen, Queen I, De Lane Lea, Sessions, Imperial College) carries its own intensity and color—and extended opportunities for Freddie to sing in gospel style, Rog to cymbal-shimmer, John to hold it down and Brian to showcase his lyrical solo playing.  

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