Mortiis, the project of Norwegian musician Håvard Ellefsen, began in 1993 after his departure from Emperor, where he had been the band’s original bassist. From the start, Mortiis developed as a separate creative outlet, first centered on atmospheric, synth-based compositions that stood apart from the black metal scene he came out of. In the years that followed, the project expanded in both sound and form, moving through distinct phases that introduced darker electronic, industrial, and rock influences.
That progression has made Mortiis a career defined by change, with each period reflecting a different approach to mood, structure, and composition. Looking back across those shifts offers a way to talk not only about the development of the project, but also about the writing behind it: how ideas take shape, how methods evolve, and what connects the work across different eras. With that in mind, this interview turns to his career and songwriting process, and to the way his music has changed over time.
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