#213: Crimson Peak (2015)

Sir Thomas seems to have it all - an inquisitive mind, a dreamer’s spirit, a great relationship with his sister…but all is not what it seems on the surface.  Sip some tea with us to see what lurks beneath the red clays of Crimson Peak (2015). 

***CONTENT WARNING: death of a parent, death of a infant, inc*st, animal cruelty 

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Artwork by Gabrielle Fatula (gabrielle@gabriellefatula.com)

Music: Epic Industrial Music Trailer by SeverMusicProd

Standard Music License 

Sources: 

• ​Briefel, Aviva. "Live Burial: The Deep Intertextuality of Jordan Peele's Get Out." Narrative, vol. 29 no. 3, 2021, p. 297-320. Project MUSE, doi:10.1353/nar.2021.0019.
• ​Crimson Peak (2015 Film) Wiki: https://en.wikipedia.org/wiki/Crimson_Peak  
• ​Crimson Peak (2015) IMDB: https://www.imdb.com/title/tt2554274/ 
• ​Kindinger, Evangelia. “The Ghost Is Just a Metaphor: Guillermo del Toro’s Crimson Peak, Nineteenth-Century Female Gothic, and the Slasher.” NECSUS: European Journal of Media Studies, 6 Dec. 2017, https://necsus-ejms.org/the-ghost-is-just-a-metaphor-guillermo-del-toros-crimson-peak-nineteenth-century-female-gothic-and-the-slasher/
• ​Miquel-Baldellou, Marta. “‘As Soon As Ever She Died, the Hauntings Began’: Revisiting the Victorian Fallen Woman as a Gothic Archetype in Susan Hill’s The Woman in Black." Ex-centric Narratives: Journal of Anglophone Literature, Culture and Media [Online], 0.5 (2021): 164-183. Web. 27 Apr. 2023 
• ​Roberts, Robin. “Gender, Adaptation, and Authorship: Three Decades of The Woman in Black”. Studies in Theatre and Performance 34:2, pages 126-139. Web. 24 Apr. 2023