Women didn’t just take the stage at Lilith Fair; they changed who the music industry believed belonged there. Stauney and Sadie dive into the festival that pushed back against the “one woman per bill” mentality, became a massive commercial success, raised millions for women’s charities, and still exposed some of the complicated contradictions of feminism in the ’90s. From Sarah McLachlan’s unlikely idea to the meaning behind the name Lilith, this is the story of what happens when women stop waiting for the industry to make room and instead build their own stage.

And nearly 30 years later, that blueprint is still alive. Olivia Rodrigo’s Daisy Chain Fields brought the same spirit into a new era: pairing an all-women-forward lineup with nonprofits, women-owned vendors, surprise legends, and a whole lot of joy. Stauney and Sadie explore the connection between these two festivals and ask a bigger question: What happens when activism doesn’t have to be angry, inaccessible, or serious all the time — but can be wildly successful, beautifully branded, and actually fun?

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