In this 2014 segment from the Bases 37 interviews (conducted by Miles Johnston in Broadstairs, Kent), Max Spiers discusses alleged occult and programming elements within the music industry. He connects pop music and celebrity culture to bloodline rituals, referencing Aleister Crowley’s unfinished work at Boleskine House, the 72 demons associated with King Solomon, energy grids, and portals. Spiers claims the industry harvests individuals from specific bloodlines for ritual purposes, citing examples involving Bob Geldof, the death of Peaches Geldof, and Michael Hutchence. He references James Casbolt’s list of “endangered” people and links these themes to broader claims of satanic networks, Live Aid symbolism, NHS tracking, and Project Oak Tree. The conversation also covers reptilian/inner-earth influences (including the Rothschild family as intermediaries), the Black Sun, Montauk-related time travel, crystal skulls, reincarnation cycles tied to the precession of the equinoxes, and Spiers’ own reported super-soldier experiences (implants, DNA aspects, and early trauma). The interviewer interjects frequently. The segment ends with comments on shifting planetary forces and a possible reset. This is one extracted portion of the larger multi-part Bases 37 series.
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