It's all fun and games until someone mentions FINAL ARTWORK. (Arghhhh)
Sound familiar? Thought so.
So we get stuck into Inky's question: how do you get out of your own way and switch off the overthinking brains?
All three of us wrestle with this in different ways.
Also mentioned: expensive paper + a shared fantasy about buying a tiny round Father Ted caravan to draw in. Pour yourself a decaf tea and get comfy. 🫖
Timestamps, for the timestamp fans:
00:00 – The question from "Inky" 02:00 – Why your best work happens when you're distracted 03:00 – Helen's voice coach revelation 05:00 – The "kiss of death" of the final piece 06:00 – First violin nerves and propranolol 07:00 – Why Katie does live illustration 08:00 – ADHD, body doubling and visual timers 09:00 – Tania's surprise panic attack 10:00 – The fear of expensive paper 11:00 – Cheap sketchbooks, and never stretching paper 12:00 – Working on five versions at once 13:00 – Pia Bramley's drawings in the New York Times 14:00 – The dim light box trick 15:00 – Gluing over mistakes 16:00 – Why scaling up kills a drawing 17:00 – The blobby technique, and INCUP 19:00 – Tania loses her portfolio on the bus 20:00 – Katie's secret competitive streak 22:00 – Are illustration competitions worth it? 24:00 – Getting into the zone 25:00 – Rain, gas fires and working audios 27:00 – The dream caravan studio 29:00 – Dressing gowns, woolly hats and working caves 31:00 – Working around kids, and burnout 33:00 – Larks vs owls
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