What should you charge to score a game? Should you sign an exclusive contract—or not? How do you protect your creative rights without burning bridges?
In this episode, I sit down with Noa Beazley, a Boston-based composer and multi-instrumentalist whose game scores span genres—from the Latin-metal fusion of Protodroid DeLTA to the orchestral fantasy of A Token War. Noa teaches game scoring at Berklee College of Music, speaks regularly at major conferences like GDC and PAX, and brings a wealth of insight into both the creative and business sides of the industry.
We dive deep into the realities of negotiating contracts as a game composer: rates, exclusivity,, best practices, and more. Whether you're just starting out or already working in game audio, this conversation offers actionable advice.
Podden och tillhörande omslagsbild på den här sidan tillhör
Tyson Cazier. Innehållet i podden är skapat av Tyson Cazier och inte av,
eller tillsammans med, Poddtoppen.
