In this episode, Perrin sits down with Neil Selkirk, a London-born, New York-based photographer who assisted Richard Avedon, took Diane Arbus’s masterclass, and went on to become the only person authorized to print her photographs since her death. They talk about his career and his new book, Why Photographs?

Neil talks about how a job with Irving Penn that fell through over a visa led him into Avedon’s studio, the Arbus photograph he saw on a wall in London that devastated him and took fifteen or twenty years to live with on his own wall, and the winter he spent searching through 7,000 rolls of film to find her negatives. He gets into why he believes photography is about discovery rather than creation, what the camera reveals that we never notice when we press the shutter, why he considers composition deadly to a photograph, and why he thinks photographers should keep it simple and keep it straight at a time when no one knows which images to trust.

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