In current opera productions the stage and music directors work alongside each other using completely different and incompatible belief systems. As we’ve seen, there is no good reason not to reread the score just as radically as the text, opening up the intriguing option of performing the score in such a way as to tell the same story as the staging...
Podden och tillhörande omslagsbild på den här sidan tillhör
Daniel Leech-Wilkinson. Innehållet i podden är skapat av Daniel Leech-Wilkinson och inte av,
eller tillsammans med, Poddtoppen.
