SS6E6: On Form, On Content, On Confronting Expectations Regarding Both Form and Content

Profe Herrera (aka StinkyLulu) continues this experiment in building a theatre-going audio diary with reflections on how each of the seven shows engaged since our last episode confront particular conventions and expectations of theatrical form. Productions discussed in this episode include two remote performances — Woolly Mammoth’s digital film capture of Madeline Sayet’s WHERE WE BELONG and Bard at the Gate’s enhanced reading of Majkin Holmquist’s TENT REVIVAL; two touring presentations of devised productions — THE APPOINTMENT from the Philadelphia-based devised performance company Lightning Rod Special and BETWEEN TWO KNEES from the indigenous comedy ensemble The1491s; two new musicals — Simon Stephens and Mark Eitzel’s CORNELIA STREET and David Lindsay Abaire and Jeanine Tesori’s KIMBERLY AKIMBO; and finally one new/ish play, Hansol Jung’s WOLF PLAY. 

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