We continue #SciFiJuly: An Infinity of Titles with a giant interview with director and visual effects supervisor Ernest Farino! From an early age, Ernest was fascinated by special effects and his love for filmmaking would take him from creating the stop-motion creature in 1978's THE ALIEN FACTOR to Los Angeles and working for Roger Corman at the Venice Lumberyard studio on films like GALAXY OF TERROR and beyond! There, he would meet James Cameron and would work on films like THE TERMINATOR and THE ABYSS! We walk through Ernest's career, which included working on John Carpenter's ESCAPE FROM NEW YORK and THE THING as well as doing effects and main title sequences for a variety of New World Pictures films from the Corman era to the next ownership group!
We discuss the difficulty of bats in SATURDAY THE 14TH and Sybil Danning's costume in the TV edit of BATTLE BEYOND THE STARS, the tricky ending of DEATHSTALKER, having lots of time and no time to work on the title sequences for GODZILLA 1985 and PRETTY SMART, and how Ernest's work on TAG: THE ASSASSINATION GAME may have played a key role in casting for THE TERMINATOR! Also, Ernest explains how he dealt with Arnold Schwarzenegger's biggest, erm, muscle, and how he was able to get away with saying "no" to James Cameron!
Ernest provided us with tons of stories, including about his directorial feature debut, STEEL AND LACE, which NWPPVIPs know is a film we love! Don't miss this wide-ranging and fascinating trip through Ernest's huge career that's filled with behind-the-scenes stories that you won't want to miss!
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