In the latest episode of Fragments of Fear, we take a moment to mark the tragic passing of Daria Nicolodi; discussing her legacy and contribution to Italian cult cinema before moving on to this month’s discussion of Romolo Guerrieri’s 1971 giallo, The Double. In our examination of this experimental giallo, we explore the film’s literary origins, Guerrieri’s work as a director and the film’s inventive narrative structure whilst also taking a look at its thematic concerns from sexual politics, the crisis of masculinity and post sixties counter culture.
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