This week, we continue our coverage of Robert Pattinson's banner year with a review of Lance Oppenheim's Primetime. An evocative snapshot of the downfall of mid-aughts ratings smasher To Catch and Predator, Primetime broaches the subject of bad people doing good things for the wrong reasons. We discuss its peculiar reception, a specific capture of post-9/11 rubbernecking media thirst, and the trifecta of powerful performances within the film.

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