Imagine a movie directed/edited/starring Orson Welles as himself commenting on the making of this very movie while he wears big hats and capes, smokes giant cigars, DOMINATES heaping plates of raw oysters, does some magic tricks, constantly shows off his gorgeous girlfriend, and monologues about the nature of art and immortality… and all the while the whole movie is about someone else. Sounds fake, right?

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Ingmar Bergman's Summer with Monika (1953).

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