Roger Glen Hill joins Chris and Steph to unpack Stalker Jane, the low-budget indie that mixes 80s slasher energy, modern attitude, and just enough chaos to make you keep yelling at the screen. What starts as a twisted date from hell opens into a full conversation about how the film was built, why Halo's debut performance as Jane is so instantly memorable, and how a shoestring budget became a feature instead of a limitation. Roger shares how the story grew from an abandoned Christmas stalker short, why he wrote the role for Nigel Quinn, and how a first scene with almost no outline ended up becoming the foundation for the whole movie.
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