Journalist Eric Kelsey was already familiar with "Sonja," the enigmatic portrait sometimes called the German Mona Lisa: a woman in black with short hair and cigarettes, sitting in a cafe. An iconic image of free-spirited Weimar Berlin almost since it was painted by Christian Schad in 1928. Then he realized who she really was.
Kelsey has now spent years researching his connection to "Sonja" and the dramatic true story of a life of luck and love, cruelty and tragedy, as Weimar Germany gave way to Nazi Germany. A story of the individual human dramas behind big history—and who gets to tell them when the private becomes public.
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