Hey guys– we took the week off. Instead of new films, we’re posting five films that were originally published as “member only” reviews from HorrorWeekly.com. Yes, this time, we’re looking at all the Christopher Walken “Prophecy” films, from 1995 to 2005. Some were great, some weren’t, but hey, it’s Walken, so we were enthralled. Mostly.

All this, as well as the latest issue of “Horror Monthly,” issue #57, for June 2026, is available! Check out all the back issues, as well as our other books, with one easy link: https://horrormonthly.com

Mainstream Films:

The Prophecy (1995)

* Directed by Gregory Widen

* Written by Gregory Widen

* Stars Christopher Walken, Elias Koteas, Virginia Madsen, Eric Stoltz, Viggo Mortenson

* Run Time: 1 Hour, 38 Minutes

* Trailer:

Spoiler-Free Judgment Zone

It’s an interesting take on ideas of creation and good versus evil. It’s helped a lot by a strong cast, with Christopher Walken being an especially bright spot with what he brings to the movie. It’s a little slow at the beginning but builds well. We’d give it a thumbs up.

Spoilery Synopsis

Simon says that he remembers the first war, Hell was created and many angels died. Lucifer fell and it was all terrible. He never thought there would be another war… Credits roll.

We cut to a big church in the middle of a ritual to ordain new priests. Thomas Dagget watches the process, but when it’s his turn to be ordained, he has a weird vision and screams. Years later, Thomas is now a police detective; “Heaven showed me too much.”

Simon is perched unnaturally on a chair. Simon pulls out Thomas’s thesis; he wrote about angels. He smells something and then stops a demon who breaks through the window. He pokes out the demon’s eyes and then throws the demon out the window, and Thomas comes to investigate. The only lead is a newspaper from Chimney Rock.

In Chimney Rock, it’s a funeral for an old man who died at age 85. Simon is there, clearly injured from his battle. He opens the old corpse’s mouth and kisses him.

The coroner tells Thomas that the dead man never had eyes, and he’s very weird overall with both male and female sex organs. He was carrying an old handwritten Bible with an extra book at the end about a second war in Heaven.

Gabriel checks out the room where Simon and the demon fought. He smells things. He talks to Jerry, who looks post-suicidal. He wants Jerry to steal stuff from the police station evidence room.

Mary is playing hide and seek and finds Simon. Katherine, her teacher, comes looking for her and has a conversation with Simon, who’s hiding upstairs. He gives Mary something, and she gets sick. Katherine drives Mary home to the reservation.

Thomas translates the new book and it predicts a new war of the angels and demons, that hasn’t happened yet. The weird corpse in the morgue is Usiel, an angel. Meanwhile, Gabriel finds the body in the morgue and burns it. Jerry recovers all Usiel’s things, but the Bible isn’t there. The two of them set off for Chimney Rock. Gabriel calls Jerry a “talking monkey,” his name for humans. They dig up the body of the old man Simon already met. The soul that Gabriel wants is gone from the man now.

Gabriel tracks down Simon; he wants that soul. He does not want to be replaced by talking monkeys. Gabriel sets Simon on fire, demanding to know where the soul is.

Katherine comes to school and the police are there, looking at what’s left of Simon. Meanwhile, Mary, a Native American, is acting sick, so her people pray over her.

Thomas arrives at the cemetery where the old man is being buried a second time. The gravedigger tells Thomas about Simon’s body being found. He talks to Katherine, who mentions Mary and her strange illness. Thomas researches the old Colonel, who was accused of doing human sacrifices during the war; there’s even a film. The old man even left behind a box full of faces. He was a special kind of evil, which makes his soul a weapon that Gabriel wants.

Thomas goes to the church and Gabriel finds him there. He’s weird but doesn’t really do anything. Mary dreams about the old Colonel. Gabriel visits the school and looks inside the children’s mouths for the soul.

Thomas and Katherine visit Mary; she’s got the old Colonel’s soul inside her. Thomas knows that the angels want that dead, psychotic Colonel. She tells him about Gabriel. Katherine takes Thomas to the old shut-down copper mine; she thinks Gabriel is in there. They see thousands of angels, impaled on spikes.

Thomas and Katherine go to Mary’s house and find Gabriel there. Jerry attacks Thomas while Katherine tries to distract Gabriel. Katherine shoots the propane tank and blows up the house, which clobbers Gabriel. But Mary says that to really kill Gabriel, they need to cut his heart out.

The good guys take Mary to the Indian village to have a magic procedure done. Mary tells Thomas that this place is defensible; “One man could hold off an entire battalion.”

Since Jerry’s dead for real now, he needs a new servant. He goes to the hospital and resurrects Rachael, who committed suicide.

Katherine gets a very special visit from Lucifer himself. He explains the angels’ motivations and purposes. The Colonel was the “blackest soul” on Earth, and Gabriel wants it to help him win. Lucifer is actually here to stop Gabriel. He makes her an offer.

Gabriel and Rachael visit a local diner, and Rachael isn’t appreciating still being alive. Lucifer visits Thomas next and gives him some tips.

Night falls, and Gabriel approaches the place where the Native Americans are doing their songs. Thomas has set up boobytraps for Gabriel. There’s a bit of a battle, and Lucifer ends up confronting and killing Gabriel. Meanwhile, the ritual completes and Mary coughs up the Colonel’s soul which is destroyed by light from Heaven.

Lucifer wants Katherine and Thomas to go home with him, but they refuse. He leaves them unharmed.

Brian’s Commentary

I saw this when it came out and remembered this being more interesting than it was. About all I remembered from the original watch was the way the angels perched up above everything like birds; it’s still a neat touch. It’s very slow for the first hour, but the intensity of the last half hour is worth the wait.

What really makes this movie is the casting. How did they get all these big-name people involved? It holds up pretty well; there are some subtle special effects, but they all mostly still work. It’s good!

Kevin’s Commentary

The cast really does help this one a lot, elevating the movie quite a bit. I also saw this when it came out, and this was my second viewing thirty years later. How time flies. I thought it held up well enough to entertain me overall.

The Prophecy II (1998)

* Directed by Greg Spence

* Written by Gregory Widen, Matt Greenberg, Greg Spence

* Stars Christopher Walken, Russell Wong, Jennifer Beals, Brittany Murphy, Eric Roberts

* Run Time: 1 Hour, 27 Minutes

* Trailer:

Spoiler-Free Judgment Zone

This one was a little bit of a step down from the first one, but not too much. There are some new characters, and a couple of actors are replaced, but Christopher Walken is still here doing his thing, with a little more dark humor to liven things up. It’s a worthy sequel.

Spoilery Synopsis

We hear a voiceover from a man who has had visions of the end of Heaven and Earth as credits roll.

Valerie Rosales is a nurse, and we open on her drive to work through the downtown area of the city– until someone falls onto her car. Meanwhile, at a monastery, there’s a bunch of screaming from one of the monks, Thomas Daggett, from the first movie.

Lucifer walks in a dark alley and says it’s time for Thomas to go. He kisses the ground, which then breaks open and releases someone from Hell. We soon see that it’s Gabriel, and he goes straight to Thomas. He burns up Thomas and the whole apartment.

Valerie talks to the man she hit with her car; he’s Danyael, and says he’s harder to kill than that. He’s being released, so they have a talk about her work and her lack of a husband. Naturally, they end up having sex a few moments later. This results in her getting visions of angels.

Later, Danyael reports to his boss, who asks, “Is it done?” They are soon attacked by two opposing demons. They both beat the invaders, but Gabriel comes sniffing around afterward. He kills Danyael’s boss, Rafael.

Valerie wakes up with a headache and her belly hurts. She gets a test, and sure enough, she’s pregnant, and it’s only been two days. The doctor says, no, she’s in the second trimester.

We cut to Izzy and Julian, two whiny teens who are about to complete a suicide pact… as Gabriel watches. He swoops in afterward to revive Izzy; he needs a new servant.

Valerie gets a call from the police; Danyael killed one of the demons, and they have the body. Joseph, the coroner from the first film, has seen this before, four years ago. He tells Valerie his experiences. A bit later, Gabriel burns that body as well.

Valerie goes to see Father William about Thomas, and the old priest tells her what Thomas told him. He talks about a Nephilim, a child of angels and humans.

She goes home and finds Gabriel there, waiting for her. Danyael breaks in and interrupts Gabriel before he can kill her. Danyael ends up taking her to a nearby church and tells her how important she is; she’s going to have a Nephilim. She doesn’t believe him, so he shows her his true form. He wants to take her to Michael for protection.

Gabriel takes a radio and a gun from a policeman, and Izzy shoots herself with it, to no effect. He hears a report about a break in at a nearby church and goes right there; that’s where Valerie is. Danyael arrives just in time to rescue her, but he drops Father William’s book.

Gabriel soon wakes up in the morgue and walks right out with Izzy. Meanwhile, Danyael takes Valerie to Eden, or what’s left of it to see Michael. They talk briefly, but then Gabriel comes to the gate, also wanting to talk to Michael. Michael… lets him inside.

Danyael attacks Gabriel, one on one, as Izzy goes after Valerie. This goes badly for Danyael and Izzy. Gabriel closes in on Valerie, but she fights back. She grabs onto him and jumps off the roof. Gabriel gets impaled pretty seriously, and then Michael finishes him off. He turns Gabriel into a human and leaves him there.

Michael talks to Valerie after. She knows he’s going to come and take her son away someday. Five years later, Valerie sends her son to school on the bus, which passes a homeless guy on the street; it’s Gabriel, begging for coffee. “Everything’s gonna be made right soon.”

Brian’s Commentary

They still had a pretty decent cast, even though they did end up replacing both Thomas and Lucifer from the first film. Christopher Walken returns, and he leans more into his comedic talents here, with some great lines in a film that’s otherwise very serious.

It’s got the benefit of not having to explain everything, since that’s already been covered. This feels like a logical progression, and also leads into it possibly becoming a series.

It’s pretty good, not far off from the first one.

Kevin’s Commentary

I thought this was a bit of a step down from the first one, but not too much. Christopher Walken really makes the movie, and I’m glad they went with him again. The story continues pretty well, which I liked. The writing was decent. It’s a thumbs up.

The Prophecy 3: The Ascent (2000)

* Directed by Patrick Lussier

* Written by Gregory Widen, Carl V. Dupre, Joel Soisson

* Stars Christopher Walken, Vincent Spano, Davino Buzzotta

* Run Time: 1 Hour, 24 Minutes

* Trailer:

Spoiler-Free Judgment Zone

This continues on from the second movie, years later, with a couple of the kids grown up and Christopher Walken’s Gabriel a little older. And he’s stuck being a human, which is pretty humorous. It’s worth the watch to see the storyline get wrapped up.

Spoilery Synopsis

Credits roll as someone throws a Molotov cocktail into the house of a woman and her young son.

We cut to long haired Gabriel, looky pretty shabby after being turned human at the end of the previous film. He walks into a sermon being given by a street preacher in an abandoned building. Suddenly, a zealot in the audience shoots the preacher about 60 times. Maggie screams and runs to help the dead young man as Gabriel watches in amusement.

The zealot, who is blind, somehow manages to get away and go home. He hears voices in his apartment, “I did what you told me.” The voice wanted more done to the preacher, but the man got pushed away by the stampeding crowd and couldn’t finish the job. Whoever he’s been talking to reveals himself.

Over at the morgue, coroner Joseph looks at the dead body of the preacher. Meanwhile, another angel walks the streets looking weird and creepy. The corpse is Danyael Rosales, the son of Valerie, and Joseph remembers her.

Gabriel talks to a detective, and they get along really well; Gabriel seems very human now. Maggie is there to identify the body.

The new angel is A.Z. Jones, and he makes the guard see that he has an FBI ID, which he doesn’t really. He goes to the morgue, and they let him right in. He walks right past Gabriel, who is on his way out. “I let myself go,” Gabriel quips to Zophael. Zophael is against “The monkeys,” but Gabriel has changed sides. “I like it here; I even learned to drive.”

Meanwhile, down in the morgue, Danyael wakes up. By the time Zophael gets there, he’s gone. Maggie is very skeptical that someone gets up from the morgue and walks away. Danyael runs into Gabriel in the alley. Coroner Joseph has a research montage as he learns about Nephilim and the second war and Pyriel.

Danyael is having flashbacks to being dead on a pile of corpses. He goes to the apartment of the man who shot him, and the man is dead. Zophael comes in, so Danyael leaves in a hurry.

Zophael catches Danyael, and they fight. Zophael’s about to kill Danyael when Gabriel shows up in a car and smashes the evil angel.

Somehow, Maggie finds Danyael. She spots Zophael and calls 911. Zophael tells Danyael about Pyriel, “The Next God” and then kidnaps Maggie to drive him around town. He explains his side of the story to her.

Gabriel runs into Danyael again, and this time, he explains things. Danyael rides out to the desert and finds Mary, from the first film, who has also grown up.

Zophael chases Danyael, and he injures Maggie to lure Danyael in closer. Danyael finally beats and kills the bad angel. Gabriel gives Danyael one more pep talk before comforting Maggie as she dies.

Danyael finds the skeleton of an angel in the desert, and as he approaches, it reforms itself into Pyriel. Pyriel wants to wipe out all humans and start over. They argue until Pyriel is struck by Holy lightning and Danyael pulls out his heart.

Danyael comes back to Gabriel, who is now an angel once again. He waves his hand and Maggie wakes up.

Brian’s Commentary

The previous film led right into this one, although it takes place several years later, as young Danyael has grown up and Gabriel has aged a bit by this time. Gabriel has “gone native” and is actually on the side of the humans now, which makes him twice as funny.

A lot of screen time is Zophael wandering around with this long hair and longer coat talking cryptically and stomping around like a GQ Terminator. Probably half the movie is devoted to one character chasing another.

Although there were two more films in the series, this is the end of the main storyline. What comes later… are poor imitations.

Kevin’s Commentary

Thank goodness for Christopher Walken who really saves this one. The story continues, and it’s okay, but there’s a lot of filler time with people wandering around and chasing each other. I liked that they had the same baffled coroner dealing with this weirdness through all three. I found it watchable, and it wraps things up. Yet there are two more sequels…

The Prophecy: Forsaken (2005)

* Directed by Joel Soisson

* Written by Gregory Widen, John Sullivan, Joel Soisson

* Stars Kari Wuhrer, John Light, Jason Scott Lee, Tony Todd

* Run Time: 1 Hour, 15 Minutes

* Trailer:

Spoiler-Free Judgment Zone

This felt more like a part 2 than a sequel, perhaps something that could have just been combined with the previous film to make a slightly longer one. As it is, this one drags along a bit, taking its time to wrap things up. Tony Todd is always a pleasure to watch, which helps the time pass, and there’s some bright spots. It’s necessary to see for completion, but it’s not great.

Spoilery Synopsis

We open with a flashback to Father Constantine and the book in the church basement from the previous film. As before, Allison comes down and finds the book, which leads to a whole mess. Credits roll.

John Reigart appears in front of little Maria and asks her to send a message. She’s immediately run over by a truck, and we see Allison watching from afar. She starts running right past Dylan. Maria gives Allison the message… right after she dies.

Dylan talks to Stark, whom we don’t see. Stark orders Dylan to shoot Allison. Rather than do that, Dylan kills himself. Stark isn’t going to let that stop him, so he brings Dylan back from the dead.

Dylan immediately tracks down Allison and pulls a gun on her. He still has some doubts as to the job and wants her to convince him to let her live. Meanwhile, Stark searches Allison’s apartment and finds a decoy book, just the cover with a bunch of junk stuffed inside. Dylan and Allison end up in a foot chase, being pursued by “Thrones” who work for Stark. He disguises her and douses her with perfume to mask her scent. They look her over carefully, sniff, and even lick her but eventually let her pass.

Reigart explains the “rules” to Allison. There used to be a rule against hired assassins, but Dylan used to be a CIA agent, and he’s been turned, so the rules have changed. She leaves and soon finds that she’s being stalked rather unsubtly. She joins a funeral parade, and the baddies lose her in the crowd. Turns out, it’s little Maria’s funeral! Her death was set up knowing that it would save Allison.

Stark beats up Dylan for disobeying him. Allison has a conversation with Maria’s ghost until Dylan shows up. She thinks he’s on her side, but she also knows that he’s a hitman. He wastes no time in turning her over to the enemy.

Stark says that he’s a Seraphim, and on Allison’s side. He wants the last page of the Lexicon, which will reveal the name of the AntiChrist, whom Stark wants to kill. He doesn’t want the apocalypse to take place. Allison realizes that there’s something special about her since Stark simply cannot kill her.

Allison talks to Reigert again, and he helps her realize what Stark’s motivation is. Reigert does want Armageddon. So by keeping the book from Stark, she’s actually helping Satan himself. Elsewhere, Stark questions Dylan about where Allison tends to hang out, suspecting she’d hide the book somewhere she goes often, just to keep an eye on it.

Some random lunatic stabs Allison in the park. With a little divine assistance, she gets up and kills her attacker. Stark figures out where the book is, and everyone makes a beeline to the place. Allison runs inside and learns the name of the AntiChrist. Stark chases her up to the roof, but she scatters loose pages from the book everywhere, slowing him down.

Stark confronts Allison. He wants to know the name of the child so he can kill it. Dylan staggers in, and he’s looking a lot more dead. He tells her that she’s a Nephilim, but she thinks he’s lying. She’s Simon’s daughter, child of a human and angel. Dylan pulls out his pistol and… shoots Allison everywhere but in the head, knowing it won’t kill her. As she falls off the roof, pages of the book go everywhere.

After a moment, Allison wakes up. Because she is a Nephilim. One little boy picks up one of the book’s pages and sees his name at the end…

Brian’s Commentary

This was filmed simultaneously with the previous film, and they were always intended to be one story. This one, however, is very short, even ignoring the “filler” scenes. Whereas the previous film was entertaining, even having ignored the first three films, this one feels unnecessary, like they were really scraping for a story.

It’s not very good.

Kevin’s Commentary

It was a wrap up, but not a very good one. It was kind of a money grab I guess. Since this and part 4 were filmed at the same time, they really could and should have kept it as one slightly longer movie. I’d recommend it for completion, but it’s kind of a drag. At least it’s short.

The Prophecy: Uprising (2005)

* Directed by Joel Soisson

* Written by Gregory Widen, John Sullivan, Joel Soisson

* Stars John Light, Sean Pertwee, Kari Wuhrer, Doug Bradley

* Run Time: 1 Hour, 28 Minutes

* Trailer: https://www.dailymotion.com/video/x8hqv21

Spoiler-Free Judgment Zone

This was a bit of a reset of the story, without Christopher Walken this time around. It’s more of the angels battling with humanity stuck in the middle. It’s a step down from the first three, but it’s not too bad. The setting in Romania helps the atmosphere, and Doug Bradley adds some extra life to it. It was fairly entertaining.

Spoilery Synopsis

We watch old footage of an unnamed tyrant in Europe. Twenty-five years later, the country is a mess. A man starts running from something. He’s in a panic and even gets hit by a car, but he doesn’t stop, making his way to a big old church.

The man chasing him goes through the scared man’s pants; he’s Dani, a cop. Serban is the running man, a drug dealer.

We cut to a church, where Dani makes eye contact with Allison. Allison helps out the old priest there. Father Constantine goes into a hidden area of the basement with a pickaxe and opens one of the tombs. He finds an ancient book inside. He reads it in Romanian, and new words appear on the page. He has a massive heart attack and dies.

Dani goes outside and meets John Reigert from Interpol. Dani tells him to get lost and tries to leave, but then his car won’t get going, which is awkward when John walks up and gets into the passenger seat. They get a call that a man has jumped from the roof of a church; it’s Serban. It looks like his heart has been removed. John says the heart was removed before he fell.

They meet two local cops who introduce themselves as Laurel and Hardy. There’s a message written on the wall, “Welcome Dani Simionescu.”

Clara, a waitress, walks through the park and sees dogs attacking a woman on the ground; she runs the dogs off. Something from the woman on the ground possesses Clara and she walks off– straight to that same old church. She goes down into the basement, where she talks to a glowing entity, Simon, who calls her Belial. Simon says that the book is gone.

Allison has the book after finding dead Father Constantine with it, and Simon warns her that Belial is coming for it. “He is going to rip you apart.”

Reigert has Dani drop him off at home, but when Dani goes around the corner to follow, Reigert has vanished. The next day, the two get called to the woman who was killed by the dogs; her heart is gone too.

Carla/Belial goes to the morgue to see Father Constantine. She rubs his eyeball to see what happened when he died. The undertaker comes in, and she transfers Belial into him. Florian then tears her heart out.

Dani starts to do research on the case, and gets an online response from the coroner Joseph from the previous films. He warns that angels are involved; “All angels are terrifying.” They go to an old house that used to be the headquarters for the old Communist Secret Police. They go into the basement and Dani gets a vision of the tortures that used to go on here. He watches his own parents murdered by the Communists. Reigert says the killer was a man named Treptow. Reigert continues and reveals that Dani had a sister who was taken away: Allison.

Allison goes to talk to Ion, a priest, and shows him the book. He gets a nosebleed as he explains that Revelation is not just the last chapter of the Bible, but it’s incomplete, waiting for God to write the ending. He goes to the restroom, and it goes badly for him. Inside her head, Simon warns her that Belial is approaching once again. She doesn’t know it, but Belial is now inside Ion.

Reigert wants Dani to meet his sister and explains that she’s at the heart of a prophecy. Laurel calls, and he’s done facial recognition on Reigert, and he dates all the way back to the seventies. Reigert admits that he’s an angel and gives a brief overview of the war in Heaven. The book that Allison has is capable of ending the world.

Reigert demonstrates to Dani that he’s not necessarily a “good guy.” Laurel and Hardy come in and they all discuss Reigert. They have Ion in custody, and he has a staring contest with Reigert. Ion/Belial has a seizure. Something nasty comes out of his mouth and goes into Laurel, who walks out the front door– after killing Hardy.

Allison calls another priest friend and gets the scoop on who Belial is. Dani explains that Laurel is going to try to kill Allison before she gets to the old government house. There’s a brief chase, and everyone ends up at the old torture asylum.

Allison goes inside, and she also gets visions of what used to go on there. Treptow was behind it all, killing his own people and then himself. Dani, Reigert, and Belial come in, separately, Belial talks, and it seems that he and Reigert were once on the same side; Reigert is the devil himself. They all argue over who gets the book.

Dani points his gun at Belial, who promises to possess him next. Dani says he’ll kill himself if that happens. Dani shoots him, but Belial takes him over as promised. Allison then shoots Dani. Belial then goes into Reigert, who just sort of absorbs him and walks away says that Belial is where he belongs now, with him.

Allison goes outside and talks to Reigert. He says it’s over for now, but there are more out there.

Brian’s Commentary

Romania was a very inexpensive place to make movies, and there were a lot of them filmed here around this time period. “Hellraiser VII: Deader” (2005) even had the same stars. Still, it’s a very alien and exotic place, and it adds a lot to an otherwise fairly bland story. This was filmed simultaneously with the following film, “The Prophecy: Forsaken” (2005).

This one doesn’t have Christopher Walken, but it’s still got good points. Still, it’s definitely a step down from the predecessors. We get a flash of what’s to come… in the next film.

Kevin’s Commentary

I was bracing myself for a boring abomination of a sequel dragging the story on beyond where it should have ended in the third movie, and I was pleasantly surprised. While it’s not a terrific film, I thought it was quite good and it entertained me. If you enjoyed the first three, I’d recommend carrying on with this one.

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