Some stories in the art world land with a quiet thud and then just keep reverberating louder and louder. The decision by Danziger Gallery to display, and sell, an AI-colorized version of Ansel Adams' Moonrise, Hernandez, New Mexico at this year's AIPAD Photography Show in New York is one of those stories. It touches something raw about authorship, consent, the art market's relationship with living artists, and the particular discomfort of watching a technology reshape the legacy of someone who can no longer speak for themselves.

I sat down with Helen Stoilas — former Contributing Editor at The Art Newspaper and current freelance art journalist, who has reported on political and social issues affecting artists and institutions since 2003 — to work through what actually happened and what it means. 

Helen brings her long experience covering the art market and artist rights to all of this — including where this fits in the broader pattern of AI entering spaces built by and for human artists, and what the art world's institutions are and aren't equipped to do about it.

You can check out more of Helen's work at https://helenstoilas.com or listen to her podcast at https://yourenofun.com/

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About The Podcast

The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com 

 

If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact

 

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