Although the music of Polish composer Zygmunt Noskowski (1846–1909) is less well known than thatof his teacher (Stanisław Moniuszko) and his students (Karol Szymanowski and Mieczysław Karłowicz),Noskowski was nonetheless the primary exponent of modern symphonic music in Poland for most ofthe 19thcentury; he also introduced the idea of the symphonic poem to colleagues who would follow inhis footsteps. Raymond Bisha introduces a programme of his Third Symphony and the symphonicpoemThe Steppe, Op. 66, whichblends sweeping Romanticism with Polish folk spirit. The symphony isa journey through the seasons, whileThe Steppeevokes Poland's vast landscapes with colourful hintsof Borodin'sIn the Steppes of Central Asia.
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