What happens when you take a Victorian era locomotive workshop, built in 1887, and turn it into a home for contemporary sculpture? Matt Mewburn has spent the last decade finding out.
Matt is a blacksmith and sculptor, and the founder of Eveleigh Works, a working forge inside one of the last remaining industrial blacksmithing workshops in the world, complete with machinery dating back to the 1850s. At 27, with no savings and a lease he couldn't afford, he took over the space anyway. What followed was a career built on physical prototyping over drawing, on letting materials push back against ideas, on making things the old way, and on the belief that nothing worth doing gets designed cleanly on paper.
Blacksmithing is one of the oldest crafts in existence, and full time careers in it are rare in 2026. Matt has built one anyway, developing an international commission list and a practice that sits closer to contemporary art than traditional trade, which raises the question at the heart of this episode: what does it take to keep a craft this old relevant now?
Tune in as Vince and Matt get into the discipline of working with heavy materials, the three metre tuning forks Matt made for a performance at the Sydney Opera House, what it takes to revive one of the world's oldest professions, and what it means to build a life with no long term plan at all.
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