A regular gig is only regular until someone decides it isn’t.
This week, Adam and Dan discuss what happens when a dependable venue date or residency suddenly dries up. Did the venue eliminate the gig—or did your band specifically lose it? Should you ask for honest feedback? Lower your price? Try to save the relationship? Or accept that the booking may no longer have been serving the band?
They break down why recurring gigs disappear, how bands become complacent, the danger of depending too heavily on one venue or buyer, and why replacing the economic function of a gig may be smarter than finding an identical replacement.
Also discussed:
* Dan gets back in the room and begins rebuilding his band * Remembering songs, reconnecting gear, and rebuilding performance stamina * Adam’s rapidly approaching JamZone solo experiment * Stringjoy’s Project 139 experimental guitar strings * ATL LBK’s growing collection of branded promotional gear * A new five-star review from a Dallas–Fort Worth listener * Eight years of CBC history, zombie bands, celebrity events, and the proposed conference that Paul Kent wisely stopped
The main takeaway: Be disappointed privately, respond professionally, and build a band that can lose one gig without losing its footing.
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