How do you build momentum as a cartoonist — and what happens when you lose it?
Brad and Dave examine momentum across every part of a creative career: generating ideas, maintaining a productive workflow, growing an audience, and building a sustainable business. They discuss why progress can feel imperceptibly slow at first, how consistent work eventually begins producing its own energy, and why returning after a break can feel like starting a stalled train.
Then, a listener asks how cartoonists should transition between scenes, chapters, and storylines in a collected book. Brad and Dave compare their very different approaches, debate whether a completely blank page is ever justified, and explain how multiple purpose-driven read-throughs can reveal problems with pacing, continuity, page turns, and transitions.
Also: Skunk Watch 2026 continues, Dave considers surrendering his backyard, and Professor Dr. Reginald Wigglesby reveals the completely reliable history behind Little Orphan Annie’s pupil-less eyes.
ON THIS WEEK’S SHOW...
What “momentum” means in a creative career
Why momentum takes longer to build than most cartoonists expect
Creative momentum and generating new ideas
Using an assembly-line workflow to work faster and better
Repurposing one comic for websites, social media, books, merchandise, and more
Building business momentum through Patreon, Kickstarter, and audience trust
Why old business models can survive on momentum—even after they stop making sense
Recovering after a creative pause
Transitioning between scenes, chapters, and storylines
Splash pages, title pages, narration boxes—and the dreaded blank page
Conducting separate read-throughs for dialogue, art, pacing, continuity, and page turns
Reviewing a book in print, on desktop, and on a small screen
Skunk Watch 2026
Prof. Wigglesby, The Histories of Sequential Art: Little Orphan Annie’s eyes
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