If one faget sees a baby perched at the end of a bed, but there are no other fagets paying close attention to the frame to see it, does the baby actually exist? Why do the immensely pleasurable late career films of French New Wave filmmakers go down so smoothly? Was this episode sponsored by Ambien? All these questions and more will be answered in this, France Week! On the once dead and now alive podcast movies imo, featuring three gays yapping on mic about the women’s liberation movement, the concept of weather, and getting h-word at the beach. This week, they’re discussing the following:

Brandon: Let's go to the BEACH! With Éric Rohmer's Pauline at the Beach (1983)

Daniel: Crossing the final Varda major work off the list! With One Sings, The Other Doesn't (1977)

Give it a listen! Or don’t! It’s GAYline at the beach!

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