Watchmaking Studio in a Box

Having recently rescued some sorely abused collets after acquiring yet another lathe, Chris is now swimming in a sea of collets. He and Jon discuss various tools, blackest black ink, hyperwhite paint, watch photography, and movement finishing.

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Southbend Lathes Cromwell Lathes Waterjet Cutting Service at Carleton University Schaublin 102 Cardon Tools

An example of a turret for a Schaublin 102

Schaublin 70 Aciera F1 Milling machine that uses the same collets as the Schaublin 70 Sixis 101 Another milling machine that shares the same collet system as the Aciera F1 & Schaublin 70 Hardinge Stuart Semple BLINK Ink Whitest White Paint Watch Photography Using Camera Flashes Some timely, macro photography perspective from GaryG Aputure Lights Light Tent 100 Ways to Improve Your Photography by Ming Thein Ming Watches Focus Stacking Camera Bellows Anglage Work A macro video of Chris polishing the chamfer on one of the bridges for the watch movements he has been working on Sigma 105mm F2.8 Macro Lens One of the lenses that Chris has been using to film watch work with Laowa 24mm f/14 Probe Lens Another of the lenses Chris has been using to film watch work with African Blackwood Gentian Ebony Gold LUXOR Polishing Compound Jeweller’s Rouge Chopstick Master from Bridge City Tool Works, the jig that Chris has been using to shape wooden laps for polishing the chamfers on the movements he’s been working on Daniela Dufour Interviewed alongside her father, Philippe Dufour, on The Watches TV