Kevin Maher (Creative Dir/Choreographer) has spent decades dancing, choreographing, teaching (Madonna, Rihanna, Britney Spears, Bad Bunny), and figuring out what actually matters to him as an artist. We trace his path from hustling through the late-’90s NYC dance scene to performing with artists including Missy Elliott and Mariah Carey, and what happened when the reality of the work didn’t always match the dream. Kevin gets into why he resists labeling his choreography by dance style, what 'being bad' can unlock, knowing when it’s time to move on, and valuing your influences without feeling pressured to put your movement into a box. We also get practical about getting unstuck when choreographing, bringing freestyle into choreography, creating under a time crunch, returning to your basics, and taking class without needing to be great at everything. This one gets into craft, artistic identity, career longevity, and building a dance career that actually feels like your own.
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