This revisionist Western is a mix of fictional and historical narratives about how law, society, and America came to South Dakota in the late 1800s. We talk about how the show's creator, David Milch, got from Ancient Rome to the Dakota gold rush, and all the lines he crossed to get there.
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Deadwood, Generic Transformation, and Televisual History by Allison Perlman
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THE WAY OUT WEST: DAVID MILCH & IAN MCSHANE ON DEADWOOD by Damien Love
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Singer, Mark (February 14, 2005). "The Misfit". The New Yorker.
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Andreeva, N. (2003, January 7). HBO, Milch mine "Deadwood" for Western series. (News). The Hollywood Reporter, 376(39), 5.
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https://www.goodmorningamerica.com/Entertainment-115937&page=1
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Brian McCuskey. (2013). Last Words in Deadwood. In N. S. Witschi & M. Graulich (Eds.), Dirty Words in Deadwood (p. 18). UNP - Nebraska Paperback. https://doi.org/10.2307/j.ctt1ddr701.9
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Witschi, N. S., & Graulich, M. (2013). Who Put the Gun into the Whore's Hand? In Dirty Words in Deadwood. University of Nebraska Press.
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https://www.hollywoodreporter.com/tv/tv-news/deadwood-review-season-one-hbo-2004-1235857267/
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https://variety.com/2004/tv/reviews/deadwood-4-1200534541/
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https://www.looper.com/153803/we-finally-understand-why-deadwood-was-canceled/
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https://www.cinemantics.org/p/the-meaning-behind-deadwoods-opening
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http://www.hpten.com/all-content/2021/9/30/theme-character-and-language-in-deadwood
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Peacock, S. (2010). Borders and boundaries in Deadwood. In C. CORNEA (Ed.), Genre and performance: film and television (pp. 96–112). Manchester University Press. https://doi.org/10.2307/j.ctt1vwmg3w.11
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Johnson, M. K. (2013). Queer Spaces and Emotional Couplings in Deadwood. In M. GRAULICH & N. S. WITSCHI (Eds.), Dirty Words in Deadwood: Literature and the Postwestern (pp. 208–235). University of Nebraska Press. https://doi.org/10.2307/j.ctt1ddr701.17
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https://www.avclub.com/keith-carradine-on-deadwood-fargo-and-madonna-1798250077
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https://collider.com/walter-hill-interview-reassignment-deadwood/
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David Milch at Yale: An Interview by Nathaniel Lewis
