What does it mean to glorify God through art?
For many artists, the desire to glorify God can become an expectation that their work should communicate an explicitly religious message. But what happens when that expectation begins to constrict the artist? What if our attempts to make art that clearly communicates faith actually prevent the art from becoming genuinely transformative?
In this solo meditation, Stephen Roach explores the relationship between Christian faith, artistic freedom, and the glory of God. Drawing on the work of Hans Rookmaaker and Flannery O'Connor, as well as the strange prophetic performances of Ezekiel, Isaiah, and Jeremiah, Stephen asks whether art needs to be explicitly religious in order to be spiritually meaningful.
Stephen revisits the story of Paolo Veronese and his controversial painting of The Last Supper, which brought him before the Catholic Inquisition in 1573. The story raises an important question for artists and faith communities alike: what happens when our desire to protect familiar expressions of faith leaves no room for artistic imagination?
Perhaps glorifying God through art doesn't always mean making art that is easily recognizable as Christian. Perhaps sometimes it means following our creative curiosity into places that are unfamiliar, challenging, ambiguous, or even strange.
In a world where familiar religious imagery can become wallpaper, what might happen if we made room for art that surprises us again?
In this episode:
- Rethinking what it means to "glorify God" through art
- Why treating art as a "tool" for evangelism can strip it of its power
- The shocking performance art of Ezekiel, Isaiah, and Jeremiah
- Paolo Veronese's controversial Last Supper
- How religious conformity can restrict artistic creativity
- Why faith communities need to cultivate curiosity rather than judgment
- The danger of familiar truths becoming spiritually dull
ABOUT THE HOST
Stephen Roach is the host of Makers and Mystics, a podcast exploring the intersection of creativity, faith, and the human experience. He is an artist, curator, poet, and musician. He is currently writing How to See Invisible Things, a book exploring the future of art and faith. Stephen has spent over a decade advocating for creativity as a spiritual discipline and calling.
RESOURCES AND LINKS
Art Needs No Justification by Hans Rookmaaker — the book referenced for its argument that art has intrinsic value apart from evangelistic use
Five Creativity Killers and How to Avoid Them by Stephen Roach — Stephen's booklet where he first wrote about Paolo Veronese's trial
Disclaimer:
This episode is a case for unconventional art, but I want to be clear that it is not a disparagement of sacred art: work created specifically for devotional or liturgical environments and practices. My critique of “easy art” is not meant to diminish the beauty or value of sacred art.
—Stephen Roach
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