The morning after Genuine Fake Premium Economy opened at the ICA, TANK's assistant editor Matteo Pini sat down with artists Jenna Bliss, Jasmine Gregory, and Buck Ellison to explore how the long shadow of the 2008 financial crisis haunts their work. From Ellison's material catalogues of imagined finance bros to Gregory's doctored Patek Philippe advertisements, the artists discuss how the aesthetics of wealth management and economic precarity have become embedded in contemporary visual practice.

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