In the opening poem of Rachel Edelman's debut collection, Dear Memphis, the speaker returns to their home city after a long time away, traversing a landscape that is both familiar and foreign, a place to which she belongs but also doesn't. Over the course of the collection, Edelman asks questions about heritage and inheritance; about exile, diaspora, and migration; about home; about marginalization and privilege, oppression and complicity. In our conversation, we talked about acts of care, the importance of self-criticality, what poems do, and the necessary and the possible. Then for the second segment, we talked about corresponding via hand-written letters.
Podden och tillhörande omslagsbild på den här sidan tillhör
Mike Sakasegawa. Innehållet i podden är skapat av Mike Sakasegawa och inte av,
eller tillsammans med, Poddtoppen.
