Negative Spaces, Pt. 2 — Backrooms

Backrooms’ journey to the big screen — from anonymous 4chan post to viral creepypasta to mega-popular YouTube series to A24-backed box-office smash — is as unique and unexpected as the film itself. 20-year-old Kane Parsons’ liminal horror hit feels unlike everything else currently happening in the genre, which is partly what inspired us to pair it with the similarly expectation-defying 1979 cult hit Phantasm, but also makes Backrooms fascinating to discuss on its own. Which is what we do, in mostly spoiler-free terms, before shifting over to Connections to look at how Backrooms and Phantasm compare as low-budget horror phenomena that use unsettling repeating spaces, dream logic, and heroes with no sense of self-preservation to maximum effect. And if Backrooms has you craving more video-game-influenced liminal spaces, we’ve got you covered with a Your Next Picture Show recommendation for the recent Japanese horror-mystery Exit 8.

Please share your thoughts about Phantasm, Backrooms, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Works Cited: 

• The 5 essential Backrooms videos to watch on YouTube after the movie, by Tasha Robinson (polygon.com)

• Backrooms director Kane Parsons answers three very specific questions about the movie, by Tasha Robinson (polygon.com)

• Backrooms’s Ending Cleverly Subverts One of Horror’s Biggest Clichés, by Tasha Robinson (vulture.com)

• The Indoor Generation, by Carol Grant

• A Feud in Wolf-Kink Erotica Raises a Deep Legal Question, by Alexandra Alter (nytimes.com)

Next Pairing: Steven Spielberg’s Disclosure Day and E.T. The Extraterrestrial 

This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Support the show: https://www.patreon.com/join/NextPictureShow

See omnystudio.com/listener for privacy information.