Lydia Lunch unpacks the raw origins of No Wave, her squatting-and-surviving New York story, and why after five decades of confrontational art, pleasure remains the ultimate rebellion.

Australian tour tickets and show info here.

Topics Include:

  • Lydia Lunch is touring Australia and New Zealand in June
  • She's performing Suicide and Alan Vega covers across multiple cities
  • Australia holds deep personal meaning — Roland S. Howard, Tex Perkins, lifelong friends
  • Lydia considers herself a comedian; most people are just too afraid to laugh
  • Words are her primary art — music is just the machine gun
  • She sleeps in two-hour shifts and wakes famished at 5am every day
  • Creativity has no fixed time — she writes song lyrics in five minutes flat
  • She self-publishes through 48-hour printing, selling books for $20, cost $4
  • True crime forensics and Matthew McConaughey in Magic Mike are her guilty pleasures
  • Daily she rotates between war, politics, and apocalyptic comedy — Dear Ivanka included
  • She's actively promoting new bands: Genra's Death, Bog Creeper, New City Slang
  • Instrumental music — Budos Band, Yusef Lateef, Baba Zula — is her listening diet
  • Suicide and Mars were already playing when she arrived in New York
  • Suicide actually coined the term "punk rock" on flyers back in 1972
  • No Wave wasn't a movement — it was personal insanity in a decaying city
  • The name "No Wave" just came out of her mouth in one interview
  • If you couldn't play, you had to be brutally tight — or else
  • She taught a homeless man she'd befriended to play drums for Teenage Jesus
  • Teenage Jesus songs were written on a borrowed bass she barely understood
  • She squatted an abandoned Tribeca building, running electricity from neighbours to rehearse
  • Teenage Jesus singles on Migraine Records likely preceded the No New York compilation
  • Beirut Slump was horror rock — described as a slug over a razor blade
  • She arrived in New York with $200, a suitcase, and zero contacts
  • Seeing Suicide at Max's Kansas City with ten people changed everything instantly
  • Martin Rev gave teenage Lydia vitamins; Alan Vega was leather-bound and irresistible
  • She boycotted Bowie and Iggy in Rochester — accidentally saving them from a drug bust
  • Mick Ronson's Slaughter on 10th Avenue: the glam record Bowie quietly stole from
  • Lou Reed — always a dick; Warhol — vapid, but his car crashes were great
  • She owns every recording, every publishing right — everything she's ever made
  • Her reward for a lifetime of rebellion: pleasure, rage, and zero regrets

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