Why do we forget organ pieces we once knew by heart and performed in recitals, while other works stick with us for decades? In this conversation, Vidas and Ausra discuss the psychology of musical memory, the pitfalls of cramming repertoire during student years, and practical strategies—like spaced repetition and deep structural analysis—to keep your repertoire alive.


We also share stories of rediscovering old recital recordings and revisit pieces by Bach, Widor, Franck, and Vierne!


What organ pieces have stayed in your fingers the longest? Let us know in the comments below!

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