The new episode of the podcast sees Alison Peirse, now Professor of Film Studies at University of Leeds, return to the show to update us on her work in videographic scholarship and Global Women's Horror Film studies. The episode follows the recent release of a stunning special issue of the vital MAI: Feminism and Visual Culture Journal, edited by Alison, featuring a trove of video essays looking at the role of women in Global Horror filmmaking, which serves as an output of a larger-funded project.
The conversation covers some of the essays in detail, but more depth is paid to the process of making creative academic practice work that is inclusive, radical and disruptive, to feminist anti-patriarchal practices, the wonder of Sara Ahmed and the intricacies of being a newly minted Prof!
Talk also covers Alison's much-missed newsletter The Losers' Club (which she promises will be back soon) and the feminist practice collective space Ways of Doing.
Thanks to Alison for coming back to the show and for such an engaging and enlightening conversation.
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Music Credits:
‘Theme from The Cinematologists’
Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
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