This week we’re looking at Maestro, Bradley Cooper’s new movie about Leonard Bernstein. Bernstein has been a favorite of mine since I happened upon a lecture he gave in the 70s charting the development of music from a single note to the full musical polyphony we have today, as well as the two polarities in nature that transform sound into art (The Greatest Five Minutes in Musical Education).
Maestro tells the story of Bernstein in three distinct periods, each rendered with the perspective and language of the time, quite literally in the first segment which is filmed in 35mm black and white and spoken in the Mid-Atlantic accent. It’s one of the best attempts I’ve seen at resisting interpreting the past through contemporary sensibilities. As such we get a palpable transmission of the evolution of not only the artist himself but also the culture at large.
Podden och tillhörande omslagsbild på den här sidan tillhör Jeff Salzman. Innehållet i podden är skapat av Jeff Salzman och inte av, eller tillsammans med, Poddtoppen.
