On the previous episode of Svengali – The Chuck Traynor Story:
To everyone’s surprise, the sex film Deep Throat (1972) had become a financial hit and a cultural phenomenon. And everybody involved was determined to capitalize on the film’s success – and that included Chuck Traynor, husband and manager of Linda Lovelace, the movie’s leading lady.
When the film blew up, Chuck put Linda through his self-styled media training, positioning her as a small-town, sex-fueled hippie who’d hit the jackpot in the Big Apple. And he got busy putting together deals: he negotiated a lucrative contract for her in the sequel Deep Throat II (1974). He secured a healthy advance for Inside Linda Lovelace, a pseudo-autobiography. He convinced Linda to move to California with him where they ingratiated themselves with high profile figures like Sammy Davis Jr. and Hugh Hefner. And keen to expand Linda’s profile beyond the adult world, Chuck landed her a stage show at Miami’s Paramount Theater.
But as Linda’s star rose, so did her self-confidence. She began to realize that she was drawing the attention and money, not Chuck. And as Linda’s esteem grew, Chuck’s attempts to control her weren’t quite as powerful as they had been.
Finally, in September 1973, after almost three years under Chuck’s thumb, Linda decided to stand up for herself. She filed for divorce, citing abuse and irreconcilable differences. She had a new man at her side too: she was dating David Winters, an English-born dancer and choreographer.
She was free from Chuck and could start a new life. Chuck was ancient history, and would now disappear into the rear-view mirror, right?
Wrong.
Welcome to Episode Six in our series ‘Svengali – The Chuck Traynor Story’.
You can hear the last episode of the Svengali series here.
This episode running time is 66 minutes.
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1. An(other) Autobiography
In early 1974, a second autobiography of Linda Lovelace hit the shelves. It was called ‘The Intimate Diary of Linda Lovelace’. This is how it begins:
“I am taking my life in my hands by writing this. That may sound like a dramatic way to start a book, or just a joke, but it is true. If my arms are broken or I end up in a ditch somewhere, if acid is thrown in my face or I am shot, I want it in black and white.
Once and for all, I have got to be free. Maybe if I tell the whole story, the true story, I will finally get if off my chest and out of my system, and I will be able to forget it forever.
“I have been threatened by a man who is very sick. He is full of violence. He has threatened the lives of my brilliant attorney, my business manager, the man in my life, David Winters; my secretary Dolores and her daughter; and, of course, myself.
“Sometimes I think I will go live in a different country and just never be heard from again. But that would be giving up my life in another way and I am not going to do that either. I am a star now. Here I am,