Previously on Chasing Butterflies – Stories of Cubans in Exploitation-Era Florida:
Manuel Conde had lived several lives even before he moved to Miami, Florida. He’d been born José Conde Samaniego in 1917 in Galicia, in northern Spain, though his family fled to Cuba after General Franco’s fascist coup d’état in the 1930s. And then, in 1959, Castro overthrew the government and enforced Communist rule over Cuba. Manuel, having already fled one dictatorship in Spain a few years earlier, took his family and fled to Miami, Florida, smuggling out a sexploitation film that he’d just made, called Girls on the Rocks.
In Miami, Manuel met Dolores Carlos. Dolores was a newly semi-famous actress and model on the local scene, having starred in (and been arrested for) a successful nudism film, Hideout in the Sun (1960) made by Doris Wishman, which she followed by appearing in a handful of other nudie cutie films.
Dolores introduced Manuel to the growing community of ex-pat Cuban filmmakers that had settled in south Florida after Castro’s coup, and together they shot a nudie short in 1961, Playgirl Models.
Dolores and Manuel arranged a meeting with Leroy Griffith, an energetic, entrepreneurial force of nature, who’d recently moved to Miami and made a name for himself by acquiring a string of theaters where he exhibited burlesque shows and then adult sex films. The three of them made a full-length feature was called Lullaby of Bareland (1964).
In 1966, Manuel and Dolores teamed up with Leroy Griffith to make a film with a decent budget – Mundo Depravados – starring Tempest Storm, one of the country’s best-known burlesque performers, and the movie was ostensibly directed by her husband Herb Jeffries, a suave and seductive film and television actor and popular jazz singer who had a large following in the African American market. ‘Mundo Depravados’ was released with eye-catching promo material – “A Sinerama of Sex and Fear!” – and is one of the most bizarrely entertaining film experiences you can have.
Over the last twenty years, I’ve tracked down and spoken to many of these people. Their overlapping personal histories reveal an untold chapter of adult film history and the hidden role that Cubans played in shaping it.
These are some of their stories. This is Chasing Butterflies, Part 2: José Prieto’s story.
You can listen to the Prologue: Dolores Carlos’ story here, and Part 1: Manuel Conde’s story here.
With thanks to John Minson, Tom Flynn, Ronald Ziegler, Leroy Griffith, Veronica Acosta, Marcy Bichette, Mikey Bichette, Lousie ‘Bunny’ Downe, Mitch Poulos, Sheldon Schermer, Ray Aranha, Manny Samaniego, Barry Bennett,
