Guests in Londinium, 92 AD: Gaius and Germanicus. The Corruption of Hollywood and the Sacred Canon. Regarding the Hollywood remake of the Odyssey, Germanicus characterizes the production as a "Hail Mary" by a "cesspool of corruption" known as Hollywood to remain relevant while "hemorrhaging talent." He labels the film an "abomination" and a "short shrift" to a sacred work of literature. Despite this, he sees a "beacon of hope" in the possibility that the film's failure will drive the younger generation to seek out the original texts. He emphasizes that the Iliad and Odyssey were not "fantasy" but the civilizational canon of Greco-Roman antiquity, acting as "sacred works" that dictated how to live and think. Gaius notes that these epics were originally meant to be "chanted" or "sung" and that they traditionally ended with "calm after the violence" rather than mere spectacle. They conclude that Hollywood has "cheapened our sensibility" and "raped our legacy" by failing to respect these foundational pillars of Western identity. (3)
