The Monument, rising above the streets near London Bridge, is one of the City of London's most striking historical landmarks - a soaring Doric column erected to commemorate the Great Fire of London of 1666. Begun in 1671 and completed in 1677, it stands 202 feet tall, a height chosen deliberately: the distance from its base to the spot on Pudding Lane where the fire is believed to have started. But who designed it? The candidates are Sir Christopher Wren and Robert Hooke - Clive and John weigh their respective contributions in the light of new scholarship, discussing what it meant to design a building (with your name on it) in the 17th and 18th centuries. What a structure it is. Built from Portland stone, the column is topped with a gilded urn of flames, symbolising the fire itself. Inside, a narrow spiral staircase of 311 steps winds upward to a viewing platform, offering visitors panoramic views across London - a reward that has drawn sightseers since the 18th century. At its base, elaborate inscriptions in Latin recount the devastation of the fire, which destroyed much of medieval London, gutting over 13,000 houses and 87 parish churches, while a sculpted relief by Caius Gabriel Cibber depicts the City's destruction and subsequent restoration. The Monument was more than a memorial. In its early years it also served a scientific purpose: Hooke and Wren designed the structure as a giant zenith telescope, with a hollow central shaft intended for astronomical and gravitational experiments, though vibrations from passing traffic ultimately made such precise observations impractical. Standing at the junction of Monument Street and Fish Street Hill, the column remains a quiet but powerful reminder of destruction and renewal at the very heart of the City.
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