How does a project make its way onto a See-Saw slate? And to what extent is the creative integrity of a film influenced by the commercial imperatives of the industry? Emile speaks with See-Saw’s development producer Bill Bowring and director Kitty Green, about her psychological thriller The Royal Hotel. They discuss cross-continental script writing, how to fit a seven-week shoot into five, and the fine line between light and dark when building character and tension.
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