Klemens Hannigan is one of the founders of and driving
forces behind the beloved Icelandic band, Hatari. Earlier this year, he brought out his debut solo album, Low Light, where he has embraced quite a different sound and aesthetic to his band’s signature style.
In his solo work there’s vulnerability, finesse and elegance
that he and his Hatari compatriots have often actively shied away from with their focus on industrial, techno punk-rock.
Based in Reykjavik, Hannigan is also a fine artist and a
carpenter, whose work has been exhibited in galleries and featured in his music videos.
On Low Light, Hannigan joined forces with Leifur
Björns and legendary producer, Howie B, giving further expression to his artistic philosophy, first aired through a public manifesto in which he prompted readers to reflect on the essence of art and the role of the artist.
The manifesto challenged conventional norms, advocating for a blend of naivety and perfection, and emphasising the importance of risk-taking and self-discovery in art.
In our interview, Hannigan discusses his manifesto and its
impact on his work, we consider the difference between his solo project and the music he makes with Hatari and Melody A.M. finds out how he manages to make the time for all his creative endeavours whilst also raising three young daughters with his wife,
Ronja.
Check out our Best of Klemens Hannigan playlist on the Melody A.M. website for highlights from
Hannigan's discography. Visit: www.melodyam.com/klemens
