Hitchcock's singular achievement – his first film in color, his first independently produced Hollywood picture and a narrative composed exclusively of long takes – is also his boldest adventure with homosexual themes (which appear, as is obvious for 1948, in a coded form). “Rope” continues to be a fascinating, taut thriller with many secrets, unforgettable lines and an atmosphere of postwar nihilism. It also features James Stewart in what was his debut in a Hitchcock film. Join us as we explore “Rope” and ask ourselves if we would rather live in Brandon & Philip’s apartment or in the studio from “Rear Window”?
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